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Ten things I hate about me

Partly inspired by Linden‘s little snapshot of her life, and obviously a rip off of the film title, this is simply a mini-list of truths about myself that grate.

I write better when it’s dark

Not in the dark but when it’s dark. Whether it’s because that’s when I’m at my most lucid, or perhaps because the tiredness helps me overcome my inhibitions, the small hours have often been when I’m at my most productive. In fact, the idea for this very post was sketched at 5am one very idle night, when the neural aurorae kept me from dropping off. The ideas hop and flow and melt into one another like chocolate on a hot stove—and there’s never a pen around when you need it.

I wish so much to be creative

Not in any specific fashion either. Regardless of method, there’s always been something itching inside, scratching the back of my retina, urging me to put the effort and dedication into creating something I can be proud of, whether it be with the pen or the paintbrush, the camera or the chisel. Sadly, there’s a rather stunting lack of any raw talent, which leaves for disappointment every which way I turn. And more pertinently, I’m too much of a lazy sod to ever practice enough at anything to actually hone those blunt and crooked tools in my head to produce something worth being proud of.

I put it all off for later

As the proverb has it:

“Ther is an old proverbe,” quod she, “seith that ‘the goodnesse that thou mayst do this day, do it, and abide nat ne delaye it nat til tomorwe.‘ And therfore I conseille that ye sende youre messages, swiche as been discrete and wise, unto youre adversaries, tellynge hem on youre bihalve that if they wole trete of pees and of accord, that they shape hem withouten delay or tariyng to comen unto us.”

The Tale of Melibee, Geoffrey Chaucer

Sadly, however old this proverb may be, it’s still one to have had the meagrest effect on my genes. Putting it all off for ‘when I have more time’ has virtually become my sport of profession. This very post is testament to the fact, which according to Wordpress was started back in September of the last year. There are always more hours in a day, more days in the week, more weeks in the year, more years in a lifetime, in that concave vortex of my temporal perception.

I never finish what I start

My life and living spaces are littered with the unfinished. Books half-read, films half-watched, stories half-written, designs half-cooked.1 What starts with good intentions soon ends up unloved, disregarded, unashamedly shunned for something else; if in fact it should ever get started in the first place. It is probably telling that for every book I read, there are two on the shelf; for every moment spent on writing, there are a thousand spent on the waiting-to-be-draughted.

I have a passion for procrastination

When time eventually does land in my lap, like a giant rainbow trout fresh out of water, I find myself less inclined to take the beast by the shanks, to scale it, bone it, fillet it, eat it, nor even to take pity on it, to rescue it, cover it, take it back to water. Instead I watch it flap about and squirm and shake, with gaping mouth and aching gills, its precious moments dying fast, its glassy eyes bright to the last. Don’t ask me where that came from. I’m just wasting time when I should best be getting on with some work.

I put effort in where it is wasted

Perhaps this is entirely linked to procrastinating, however much I don’t like to acknowledge it. Putting effort in to wasted time means that no one can judge you for not trying–and since it is wasted nor will they judge what your efforts produce. All of which doesn’t detract from the fact that all my efforts lie in the wrong place. I write on forums no one visits. I author blog posts no one reads. I soliloquise at length as though there were a fourth wall on my life.2 Those portions of my life wreak of effort, which remain unseen, unheard, unused, unwanted. And to the detriment of that public face, which has a degree in every volume of inadequacy.

I was born in the wrong century

Perhaps not technically something I hate about myself, this probably has more to do with my believing the grass is greener on the other side. But looking at my recent forebears, I nevertheless feel I’d have been more at peace with life wielding a pick in my hands as a coal miner, or with a mattock slung over my shoulder as a navvy, than I am in this fast-paced world of gadgets and gizmos. Not that I look back on history through rose-tinted spectacles, but knowing my place in the gutter I abhor the society that doesn’t agree that I belong there.

I have a superficial interest in the world

Just a quick glance at my bookshelf is enough to testify to how scatterbrained I really am. There’s no direction, no taste, no depth, no concentration. Just an eclectic mix of all kinds. Perhaps that’s a good thing, having a desire to sample all of life’s waters. On the other hand it shows how utterly superficial my interest in the world is, and that surface-skating translates itself nattily into real life. No real wonder I never finish what I start, when I barely get started on anything.

I eat too much

Difficult to believe for those who know me, easier to believe for those who know me well, I don’t just restrict myself to food in saying I eat too much. My life sometimes feels like an exercise in waste, a product of the consumer society, for all that I wish it would be otherwise. Food, electricity; water, most especially water. It’s probably already too late to make up for the squandery with an early adieu, but if anything here could or should change, this is the one to work on.

I’m merely waiting for the end

There was sadly no choice about being born, or if there was, I’m sure I ticked the other box. Were we assigned to lead our lives on the basis of previous errors? If so, as in the real world, I must have discarded the manual in favour of just getting to grips with the controls. Yet however much fun that experience can be, I still firmly believe that had I been given a conscious choice, I’d have declined this mortal coil. Whatever impression I give others, I really just spend my days wandering through life, looking for the exit.

I know all this and do nothing

For all those keeping track, yes this is the eleventh sin, but it’s easy to think up more once you start to enumerate them all.3 Perhaps this isn’t really such a thing I hate, as much as an acknowledgement of reality. I can’t change. I won’t change. These flaws and failures are simply part of who I am. That doesn’t mean I have to like it. But that has meant I’ve learned to live with it.

  1. Sometimes even dinners half-cooked. []
  2. But even were I a Shakespearean character, I’d be a Dogberry. []
  3. I only hope I shan’t make the same mistake as Charles Freck on my taking leave. []

To tat, or not tattoo

Tattoos are a fashion. Whilst I’m sure many may feel personally insulted by that statement, it would take a blind man not to see that it is true. But allow me to qualify that statement. The act of tattooing itself is nothing new, and as Ötzi recently proved, is probably an older custom than we once assumed. People have been doing it for millennia, and will continue to do so into the future, but there will always be a significant social layer to its existence. The social dimension of tattoos is an important factor in their prevalence and popularity, as a result they become a part of what we can call ‘fashion’. Which is no bad thing—social customs, styles, modes of intercourse, even our language evolves—and the rise of tattoos to their level of prominence today is merely a reflection of a society in natural motion. There may be clashes between old and young generations, between those who dominate society and those who will inherit it, over the acceptability of tattoos, but every generation must go through that process, and in turn the wheel may eventually turn full circle. Tattoos today can make employment in certain instances more difficult, for example, and can bring condescension from that generation which associates inking with particular classes or groups (e.g. the stereotypical trio of bikers, convicts and sailors). But in time those particular stereotypes will fade, those social values will die out, and today’s crop of fashionable, tattoo-sporting youngsters will inherit their place and complain about the next generation’s taste in bad music and disgraceful fashions.

So what exactly do I dislike in this state of affairs?

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1001 Books To Read Before You Die

This is one the larger circulars out there, of a fairly arbitrary list of books to read. The source is a title of the same name that appeared in print, edited by Peter Boxall. It’s not a particularly bad selection, and with any such list it would be impossible to please everybody, but I think it is fair to say that the more recent decades were rather over-represented (in particular 70 books from the 2000s, despite the book only being published in 2006). However, the list does make a good starting point, and it’s nice to see Miss Rowling’s works were conspicuous only by their absence — just such a shame that the price to pay was that of excluding all children’s literature.

As for getting through the list, I doubt very much if I’ll even read 1001 books before I die, let alone fiction books, or the particular ones from this list. However, I have ticked off a few titles already, and no doubt as many of them coincide with titles on my reading list I’ll be able to whittle the list down a little further. Titles I’ve read to date are in bold.

Last update: 31st December, 2011

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Dealing with spam

If there’s one jargon term that every user new to the Internet soon becomes acquainted with, spam must near the top of the list. Its prevalence and virtual ubiquity through many forms of online communication have generated miniature industries devoted to dealing with it, and the science of spam detection, prevention and treatment almost resembles the tactical skirmishes of biological immune systems.

Spam exists in many forms, from bogus guestbook entries to elaborate instant messaging robots, but the variety which prompted this post was that classic form – unsolicited email. The level of penetration of spam illustrates itself in the number of systems put in place to combat it as standard on the vast majority of websites, including of course authentication emails and the ever evolving captcha. I use a small combination of plugins on this blog to block out most of the spam, and given the extreme sparcity of genuine comments, the potential for inconvenient ‘false positives’ is rather slim. Nevertheless, even the cursory inspection I tend to make over Akismet’s latest haul becomes tiresome for all the size of this blog – spam comments to date outnumber genuine ones by a factor of almost 500 (and that only counts those caught and tallied by Akismet). Quite how larger, more popular blogs deal with searching for false positives, I don’t know, but the task must be fairly time-consuming. Continue reading →

Krystyna Janda in Dublin

Krystyna Janda

On Saturday I went to a meeting with Krystyna Janda presented by The National Creativity Centre Foundation, in the National Gallery in Dublin. The meeting principally took the form of a questions and answers session, conducted by the famous Polish director Krzysztof Zanussi, ahead of the Irish première of Krystyna Janda’s monologue adaptation of Vedrana Rudan’s Ear, Throat, Knife.

Whilst the interview was pretty interesting, given Janda’s extremely busy and varied career, the translating at the event was a little under par. The predominance of Polish speakers in the audience meant that the poor translator didn’t always get a say until after a few questions had been asked or answered, and her pretty difficult task of translating her own shorthand wasn’t helped by Mr Zanussi interrupting occasionally to demonstrate his own knowledge of English, and I was frankly embarrassed for the poor translator. Most questions focused dealt with Janda’s career in acting, both on stage and on the silver screen, from her early roles in films such as Andrzej Wajda’s Człowiek z marmuru (Man of Marble) or working alongside Klaus Maria Brandauer in Mephisto, to her more recent work with the Polonia Theatre in Warsaw. Many of the audience’s questions focused on her family life, work in politics and music, and just where she finds the energy to keep it all going. Not sure if she answered that sufficiently, but she did suggest that there would be more going on in her blog in the future.

Katyń

Caught Andrzej Wajda’s Katyń this week as part of the Jameson Dublin International Film Festival and have to say I was fairly impressed. It will probably be the only film I’ll see since the prices go up at this time of year, and indeed I was quite lucky to catch this one since the first showing sold out with over a week to go, no doubt in large part due to the significant number of Polish people living in Dublin. Sadly, being sat right at the front didn’t give a particularly good vantage point for flicking between the pictures and the subtitles, and this is one film I’ll have to watch again on DVD before I can fully make up my mind, but the screenplay was well written and easy to follow despite the amalgam of different plotlines. Unfortunately, some of the character portrayals were rather wooden and to some extent detracted from the film’s message, if there is one beyond the plain Rankean historical analysis.

Nevertheless, Krzysztof Penderecki provides a beautiful score to underline the images, with a smattering of Tchaikovsky and Chopin thrown in during some of the propaganda scenes. As a piece of cinematography the film probably deserves its Oscar nomination, though it is difficult to tell whether it will be remembered more for that or its political implications. That the film does not get caught in a loop of nationalist propagandism is important in light of the tendencies in Moscow and elsewhere. Power is not what comes from the end of a gun but the ability to make people believe ones lies. Certainly disturbing news from Putin’s Russia.

The film’s climax is a rather visceral, and to some extents shocking visual of what the film is after all about. However it does offer an interesting juxtaposition for those taken by the irrationality of mankind—as officer after officer is dispatched in the name of political idealism, these same go to their deaths with a prayer on their lips. Absurd or simply tragic? One thing however is for certain, and that is that my quest for the non-melancholy Polish film continues…

Katyn
For a brave new future.

Market games

supermarket_1.jpgThere are very few today who would deny that the quality of our food has dropped, partly as a result of the change embodied by the death of the local shop and the rise of the supermarket. Where once the only change was that our food was pre-grown, now we find it has been pre-grown, pre-made, pre-cooked, pre-packaged, pre-distributed, and often find our purchases are precluded by lack of choice for good measure. Of course, supermarkets are the just one example of today’s monopolies, that much should be clear. Enter the store at one end, and you can start your purchases with your baby food at one end, and walk all the way through life till you need find a buy-one-get-one-free headstone and a “Value” lawyer to deal with your wills and probate. Plus the stores are so big these days that you might in fact need the coffin by the time you finally leave.

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