Bolton’s finest breadmakers with a tongue-in-cheek take for the smartphone generation.
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The only thing that gives the Jerries the willies these days is apparently the Greek Minister of Finance Yanis Varoufakis (who appears to have done a bit of consultancy work for Valve on the side).
What do you call Barbs who works at the beer bar where the beard barber for the barbarians who eat rhubarb pie at Barbara’s bar drinks beer? Why Rhabarberbarbarabarbarbarenbartbarbierbierbarbärbel of course!
Dieser Eintrag ist auch auf Deutsch verfügbar.
We live in an age where being a slave to our impatience and short attention spans is almost a virtue, where watching television has made room for channel hopping, where listening to music involves skipping to choruses and jumping between tracks, where our attentions are constantly being pulled in a thousand different directions by our internetworked world.
It comes then as little surprise that one road to success is to cash in on our restlessness. Take a year’s worth of successful tunes, juice them, dissect them, distil their catchiness, then splice, blend and sew together a Frankenstein of audial goodies. That’s what you get with Daniel Kim’s Pop Danthologies: a highly concentrated concoction of successful pop anthems, a luxurious blend of first flush leaves, condensed and refined, the scion of sonic addiction grafted onto the stock of all that is pop.
This isn’t a danthology. This is hardcore popnography.
Obviously the technology is making leaps and bounds, but it’ll probably still be some time before the wheels of bureaucracy allow self-driving cars on our roads.