Indiana Jones and the Kingdom of the Crystal Skull


I recently caught a TV screening of The Boys from Brazil, a film adaptation of Ira Levin’s novel, concerning the nefarious actions of Dr. Josef Mengele in South America, and his pursuit by a Nazi-hunter presumably modelled on Simon Wiesenthal. Certainly a rather motley cast, with Laurence Olivier showing why he is so often cited as amongst the highest echelons of English-speaking acting, whilst James Mason poorly attempts to cover up his stiff accent. Still not entirely sure what to make of Peck’s performance.
https://www.youtube.com/watch?v=q-l93gltkCc
For anyone who recently enjoyed Hot Fuzz, this new film looks like it will carry the torch where Shaun of the Dead previously led the way. 28 Days Later meets Dog Soldiers?
Casino Royale
So they’re silly. So they’ve been going since the ’60s. So this is the twenty-first (official) outting of the sixth incarnation of a spy who has survived promotion, demotion and the Cold War. It’s a Bond film, and one purporting to go ‘back to basics’ with a new face and a general overhaul for the series. As one of those heretics who preferred the slightly heightened realism of the Timothy Dalton era, this film showed plenty of promise with a conspicuous absence gadgets, a somewhere near realistic plot, and nary a nuclear device in sight.
It’s been compared to the series reboot that Batman Begins provided, and for all its grittiness and mortality of the main character, has been lauded by the critics, whilst simultaneously pleasing fans for remaining true to the Bond brand. Daniel Craig proved to be a controversial choice, but from his experience behind the lines in Archangel and some technical bomb-making expertise in Munich, he came well prepared to play the UK’s most dangerous export.
Warning, possible spoilers after the break!