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A Mind @ Play

2022 in Review

So 2022 was the end of the plague. After two years of monotony and drudgery, this was the year that the virus lost its potency, and people gave over caring. The virus is here to stay, joining the other collection of seasonal ailments that fill beds in the wintertime. While many countries have dropped all restrictions altogether, in Germany the regulations have become less transparent, with the occasional strange restriction still in place seemingly for the sake of it. So while masks remain compulsory on public transport, the word compulsory has evolved to mean ‘suggested’.
7 minutes to read

2021 in Review

Another year of the plague behind us, another 365 days of solitude. It’s hardly Marquez, but it certainly feels like life has been chugging along in neutral after so many heady years in first gear. The year was mostly dominated by work, with little in the way of holiday breaks, social activities or other diversions to break up the monotony.

So joining the yearly roundups from 2015 , 2016 , 2017 , 2018 , 2019 and 2020 , here’s looking back over the second year of the plague, 2021.

12 minutes to read

2020 in Review

This year has been anything if not interesting. At the start, a lot of people around me seemed to answering the call for change, with numerous friends choosing to up sticks, start new careers, move houses, or meet new partners.

While little changed for me beyond shifting to working from home, one difference was saying goodbye to a forum I’d been running for nearly two decades. As no one had posted anything in nearly twelve months, and its use had been dwindling for some years already, it seemed the time had come to save some computing cycles and lay the bits to rest.

13 minutes to read

2018 in Review

To keep up an ancient tradition, I figured I’ll keep up my review of the past twelve months in consumed media goods. So following on from 2015 , 2016 and 2017 , the first wrap-up on the new forums! (I normally draught these things and write them over a series of days, but since this software doesn’t seem to offer draughts, I’ve penned this in one sitting and it’s probably riddled with typos. :) )
22 minutes to read
Star Wars VIII: The Last Jedi

Star Wars VIII: The Last Jedi

I’m clearly getting too old for blockbusters. Seriously, I walk out the cinema wondering what it was the scriptwriters wanted to show me in their cobbled together action flick, and search in vain among the sea of beaming faces for someone who shares my lack of enthusiasm. ‘It was entertaining,’ is what most of them defensively tell me, usually suffixed with ‘but I’m not a Star Wars fan,’ presumably when I don’t respond the same way, as if fearing I’ll proceed to bombard them under a geeky tirade of lore and canon.
7 minutes to read

The Repeatables

This isn’t meant to be a list of classic films. In fact, many classics would find it difficult to creep on to this list. These films don’t have to have bemusing screenplays, flawless acting, blood-pumping soundtracks, or brilliant cinematography. But they are all linked by that special je ne sais quoi which makes me able to watch them time and time again. That isn’t to say there aren’t plenty of great movies that share this rather dubious accolade. I could and would watch many of them again, but the experience is always be somewhat diminished from that initial viewing.

The films on this list, however, have something special that gives them enduring longevity. It’s not the film itself but the film experience that counts. With the intricacies of the plot laid bare, the twists, turns, shocks and surprises all blunted by experience, what’s left is whatever ethos the film can conjure up. Which is precisely what some cult classics manage so successfully. Umberto Eco once wrote that “Casablanca became a cult movie because it is not one movie. It is “movies”.” ((Umberto Eco, Travels in Hyperreality, (London, 1986), p. 208.)) His point was that the film itself wasn’t any particular gem, but it encapsulated what movie-goers expected to see. The lines were famous before they were spoken, perhaps the most famous line of all being the one that wasn’t even in it (“Play it again, Sam”). But films that are able to do that go on to be remembered long after they’re made, irrespective of their individual merits and the quality of their cinematography, acting or screenplay.

This is simply a list of films that qualify merely on account of springing to mind first when considering what makes a film rewatchable. They’re mostly quite mainstream, with a heavy slant on the action side, no doubt in part because drama is a singularly poor trait for repeat value. But they are foremost a very personal example, and I doubt whether others will share even a portion of their number.

14 minutes to read